Latest Updates

Alien Ankh (Independent 2013)






   Deep-darker and sounded gloomy like the dying breed of Goth-Rock that influenced heavily by the presence of Deftones, Marilyn Manson and KoRn as writing down the sexy-tinged darkened girls of Tennessee’s whose anti-bars and chains to be totally, free on thoughts and at last is JEssi Wade plus Tiffany Nicole moving their arousing asses to Bushwick, NYC as this project of Electro-Goth-Industrial was born as these partners claiming themselves belongs to the Nu-Metal scenery as priestesses of mighty worshipers of Kali goddess off the remote south reflecting thus Riotgrrrls movement by sounds but mixing it through the blending on Hip-Hop, Hardcore and breakdowns creative Cyberpunk on bending the border between genres as citing as well that Babes in Toyland, Tori Amos and Aaliyah as also their greater influences. Screaming tension raging female intuitions of Supermodel Terrorist or A.D.I.D.A.S or Goatse really picturing these women as your ultimate Dark Sister releasing their Darkest Lipstick (In The Drugstore) for a very very sensually, underground make-out by the threesome licks under thus scary hot Industrial-Goth Pop essence. 













Darkest Lipstick (In The Drugstore):
https://darksister.bandcamp.com/album/darkest-lipstick-in-the-drugstore

Etasthesie Eabelia (Abstraktens Produktions 2009)








 

   So the real name should be Lyktwasst but for the global world that should be just as simple as Life’s Decay. The Paris/France based group project that completes by the figures behind it over the musical from acoustic guitar, violin, bass and organ to drums through visual artworks, photography, videos as well as sounds compositions recording to promotion and distributed as track-lists or titles with Alea for the feminine voices, cello, harmonica, carillon to xylophone and experimental sounds bring their blending combinations of Alternative Ambient as well as Dark Folk to French-Pop resemblance towards martial Industrial and Neo-Classical and Post-Punk carried by thus choir of sorrowful scares and parts of complete aggressive instrument- additions officially for Life’s Decay recording named Dysrieuses that sounding like solitude world of the soul eater for popular culture without colors but as entertaining as eerie feels that the atmosphere there generalized the public views on digging invention onto chimes or presence of various objects as organ to strings and poetic goes possible experimenting eclectic original fits for thrilling suspense movies soundtrack like the twin-peaks series similarity. One with the audience craving more fearful themes oddities via Sulvisyan, Emerance, Iristhetique, Etesse, Exalyne, Evarestique and Inkerosa – dealt with the sinner’s activities being done by most of the former of god’s children manipulating themselves to break free from the both modern and religious lives of fake.






Dysrieuses:
https://lifesdecay.bandcamp.com/album/lifes-decay-dysrieuses-2009

Dusilong Plunk (Not On Label 2014)







   For the local independent scene on Bangkok, Thailand – these three Indie-Pop and Surf-sixties tinged era sounds project forming by the members: Praewa Chirapravati Na Ayudhya on drums/vocals, Piyamas Muenprasertdee for bass/vocals and Pimporn Metchanun on guitars/vocals brought the Yellow Fang as their skinny coolest musical affections for years until today – playing through local/national venues and festivals as they’re singing the birdsong’s harmonies within the self-arranging songs and lyrics written in the making for the band’s latest debut finally, being released through The Greatest which may looking like a compilation but foremost to the entering Shoegaze/Surf-Pop and Indie Rock sounds the package has no denial but sounded really sweet and simple with a featuring of GeneMahasamut ordering people to loving the trio as the cooler musical staging being brought to front by the displays off MMPK, I’m a Feeder, Selfish, Valentinos, Unreal onto True Blue while the curious guys observing the cute looking faces of thus girls rocking the calm show under the glimmer spotlight …







The Greatest:
https://open.spotify.com/album/7EksYP4AeRIzxSPfI6jb66

Prauge Toshi (Bandcamp 2017)






Staccato chords and riffs fiercely bursts like thus rhythmic over weird Noise Rock and Punk combining to Shoegaze or Funky Math-Rock by the College Station, Texas with their thanking to their friends and family breaks the silence on making the album as this is what they’re make to giving it to you as fun possible from the hard works off Vistor Leon, David Alvarez and Zach Lannes infusing the starry night dark skies for having wine drinks with lady Diana when Aphrodite wasn’t there to look in jealousy.


Drunk towards the intimacy nite under the millions lights for Interracial Dinorighteous releasing from Interracial Dinonysus do not selling shit stupid on discounts but as the trumpet played by Patrick Doell blows altogether as Overture to Foosball, St(art) S(top), Secret Juice and Yung Pell rocking the stereo in beats and grooves; feels free to saying to yourself that to be number something doing nothing you don’t have to be too damn greedy but creative cause – that terms worked for this crescent moon seducer Pop-Indie album. 











Link:
https://intdino.bandcamp.com/album/interracial-dinorighteous

Polemikanadum (Demajors 2016)






   Unit of the local college crew whom had similar enjoyments for liking the eighties era music sounds as well addition of not permanent on bringing any of The Beatles tracks since the beginning of the formed group and thus reasons ridicules over too much CCTV cameras on their Institute Kesenian Jakarta (IKJ) campus for changing the fun project onto “Awas Sistipsi” while documented their own rehearsal and demoing tapes materials known later as Sisitipsi; Fauzan Lubis, Rian Rahman, Eka Wiji Astanto, Hendar Anggara and Amoroso Romadian to Aditiya Rahman really can be transforming their intrinsic distinctive retro sounds taken from as far as the past of the 50’s to the 80’s within the adding mixes on Bossa Nova, Samba, Swing, Classical, Country and Bluegrass onto Jazz – circulating their menu of musical performance on stage and recording kinds of reminding your grandparents or your hippie uncles/aunties and more oldies loving criminals on the days where everything still too westerners and developed as free as birds and antique lyrics of silly romance of going to the beach or midtown on the weekend while meeting your girlfriends would be the entire greatest moments you ever did for that younger life before reflecting on that beer bottle or cans's logo for better or shitty worst. 

Open your stereo and hear for these mellow-funkies or mid-tempo various genres in one songs like Aroma Dia, Berlabuh Rindu, Rinai (Di Bulan Juni), Alkohol, Lepas Kendali and many more out of 73% (the album) for bahasa lyrics telling you about those silly past everyone used to love to completes.






73%:
https://open.spotify.com/album/3q3WZWv8s4Cje4dMfNF1rz

Hulu Hilir (Unslave Records 2015)







   Sumatra island unique forging and formidable scenery for Indie Rock genre-society living a bit healthy these years since the new millennium added more opportunity around those smaller groups not having chances to joining national scale music festivals but never giving up and out must be good on given exampling like the pick for these Jambi province letting the wider community and media aware about their existence as Semiotika comes to show their Instrumentalist Post-Rock and Radiohead-strange Indie Rock phases only for using music not lyrics as the titles for the listed tracks already explaining to the audiences of their thoughts, protests and non-arguable talents of cleverness as the Indonesian to creating such things like these courageous tempers, feelings, issues of both global and nationals as well as the environmental-pro activities that spawning Seharusnya Hijau (supposed to be greener), Gersang (barren land), Sebagian Kecil Udara (some parts of the skies), Lepas (release) or like the album record title as Ruang (rooms) that has been portraying the group’s efforts for longer progressive effectiveness and the catchy melodic breeze tickling the listeners to take a rest from running too fast all day and decided to stop moving to let the planet breathing slow and all the stresses vanished while seeing natural ecosystem in front of you crawling back reclaiming.




Ruang:
https://semiotika.bandcamp.com/

Tired & Sick (TVT Records 2001)







   From the northern part of America more imports of Canadian good bands from its Modern Rock and Alternative Rock scene goes international just like for example – this Hard Rock/Post-Grunge unit off Vancouver, British Columbia had already a majority fan-based and gains more and more daily popular demands in US soil especially, the first music-charts hits successfully made by Default through Wasting My Time – taken from their debut album The Fallout that indecision to make a good marks at first being released but suddenly, thanks to that hit single – the band’s lucky star shine and changed everything for the rock career off Dallas Smith (lead vocals), Jeremy Hora on guitars, Dave Benedict (bass guitars) and Danny Craig (drums, percussion) within the help from Rick Parashar on keyboards/piano also the additional lyrics written together with Chad Kroeger (Nickelback) as well producing the record.
   The blurry picture doesn’t mean that the conditions for Default are also uncertain because their album really selling-out as the sounds they’re delivers can be describing as an ultimate Country-Pop Alternative rocking which everybody loving it once they’re listening onto the tracks. Make your call and choices but everything seems to be pretty listenable here: Seize The Day, One Late Night, Deny and By Your Side must be cheesy but romantic for romantic rockers to resembling their lives back since the last fall.



The Fallout:
https://open.spotify.com/album/0ZTnCQYG66s4cYC3E6thKB

foto-profil